Low-cutting your entire track as the drop approaches is a great way to give your drop more punch. That’s because there shouldn’t be any bass playing right before your drop! You’ve surely heard the phrase “let the bass drop!”. The filter design tool lets you design, optimize, and simulate complete multi-stage active filter solutions within minutes. Typically, the 4 to 16 bars preceding your drop should let the listener know something big is about to happen. Last but not least, filters are a great way to build anticipation in your tracks. Recommended: Free VST Plugins – The 51 Best Synths & Effects Creating Effective Buildups The possibilities with Filterstep are quite extensive, and I’d really recommend giving it a try. You can also add a bit of reverb and sidechain it to fill in the blanks and make the gate smoother. Let’s listen to what this sounds like, first without any gate effect, then applying the above settings: Vocal pad with no gate Filterstep in action In the above example, I have selected a low-pass filter, divided the audio into 16th-notes, and drawn in the amount of filtering to be applied on certain notes. It allows you to draw in specific sequences which will determine on which notes the filter is applied. Low-cutting most elements except your kick and sub-bass between 60 Hz and 120 Hz will help tighten up the low-end.įor a free plugin, Filterstep is quite remarkable. On the other hand, a high-pass (or low-cut) filter will remove frequencies below a given threshold.įor many producers, this has become a go-to step to give clarity to the mix. Low-passes are also used quite a lot in sound design, since modulating them can create cool wobble and motion effects. Listen to the difference a simple low-pass filter brings to this loop: Original loop with no filter Low-pass filter applied around 600 Hz Similarly, a low-pass can turn your pads from bright and colorful to deep and gloomy. In that case, I might apply a low-pass to one pad to remove the high frequencies, while retaining the full spectrum of the second pad. For example, I like to layer my pads to create rich atmospheres. A low-pass filter is also called a high-cut filter – both remove frequencies above a certain cutoff.Ī low-pass filter can be used for elements that are too bright in your mix. It is worth noting here that the terminology can sometimes be confusing.
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